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I envision this timing likely developed during the Palladium period but I haven't verified that. Eddie Torres began instructing and popularizing this timing start in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dance instructor, who helped him create his strategy and timing.
The story I'm regularly told right here, that still needs further examination, is that as salsa started reaching brand-new target markets outside of the Caribbean and New York City, it was much easier and much more intuitive to educate social outsiders to dance On1 instead of On2. This tale does not account for the reality that I've listened to Rueda de Casino site was originally danced a tiempo On3 in Cuba.
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Salsa On1 is just among various salsa timings you can dance to and it is the most common timing you'll find in the world today. Salsa On1 timing meaning: "On1" indicates you begin dancing on the first beat of the bar of music the 1. Your break steps (direction changes) are on beats 1 and 5.
The exceptions I've located up until now, where On2 is most usual, would certainly be around New york city and in South Korea (Salsa San Francisco). I'm certain there are various other locations that dance generally On2 however I haven't danced in every country yet! If you're uncertain what timing is most common where you live, ask your local dance workshop
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When a person states "I dance salsa On1" they possibly suggest "I dance direct style salsa On1" (although you can dance any kind of style of salsa On1, individuals generally imply linear design). Do not stress if you've stated these things in the past, it's all good most of us have! The essential point is to bear in mind there's a difference in between style and timing and strengthen your understanding so you can be much more exact when discussing salsa with your close friends.
It links perfectly with the phrasing in the songs, specifically the piano, and various other percussion tools like the cow bell and giro. Timing and style are 2 different things, so different the ideas when you speak about salsa with your pals. Despite what timing is most typical in your area of the world, remember you can technically dance any kind of design of salsa to any type of timing check out and delight in! Desire a lot more? Take a look at this deep dive on the difference in between dance salsa On1 vs On2 when dancing a tiempo.
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Although there is an initial mambo dancing that originated from Cuba and after that infected Mexico and New York City in the 40s and 50s, these days when somebody says "I dance mambo" they imply salsa On2, which is different than the initial mambo dancing. The erratic free-from steps of the original mambo were danced solo.
As the dancing started to spread out, On1 timing started to come to be preferred. Salsa On2 interpretation: "On2" indicates you start dancing on the initial beat of the bar of music the 2.
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A great deal of dancers appreciate dancing On2 for the diverse ways you can link to the songs. Kid cubano is the songs and dancing that came before mambo and salsa.
It attaches well to the clave, bass and conga - Bachata San Francisco. Cha-cha is similar to dance On2 contratiempo yet you include the three-way action on 4 and 8. Danced to the exact same beats as On1, your break steps are currently on 2 and 6, which alters the feeling of the dancing.
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It attaches well with the conga and cowbell. https://medium.com/@evanmargolinca94124/about. This timing is virtually identical to contratiempo On2 but the actions that are normally on 4 and 8 are on 4. 5 and 8. 5 instead half a beat later, which lines up with the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.
view it now5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you step half a beat late in the home position (on 4. 5 rather of 4) you're dancing syncopated timing. Actually it appears it's usually danced as sort of a "blunder" for any individual dancing the previous two timings.
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As pointed out earlier, this was the first analysis of dancing on clave (boy clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as many actions of your fundamental as possible with the strikes of the boy clave.
The important things about music and dance is that there is no right or incorrect. There is just analysis. You can dance on any type of timing you like! Normally, people have actually discovered a way to dance on practically every timing feasible to kid and salsa music. People dance On3 for the same factor you dance On1 because it stresses the strong beats of 1-3-5-7.
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Allow's take a look at the beats you dance On1 to: -2-, -6- (solid beats remain in bold) Let's check out the beats you dance On3 to: -4-, -8- (solid beats remain in bold) Notice exactly how the strong beats are spaced specifically the exact same for On1 and On3? All you do is begin tipping On3 as opposed to On1.
That's why dancing On3 is so common in Latin America. People either Try to dance On1 but begin tipping On3 by crash and it functions out simply fine, or They do not recognize much about timing and are just translating what they hear in the songs, based upon their experience maturing in a society with salsa.
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